Major: Bachelor of Arts
MajorOverview
The undergraduate program in Art Practice is designed to help students develop contemporary art practice making skills and think critically about the visual arts and visual culture. Courses focus on the meaning of images and media and their historical development, societal roles, and relationships to disciplines such as literature, music, and philosophy. Work performed in the classroom, studio, and screening room is designed to develop a student’s powers of perception, capacity for visual analysis, and knowledge of technical processes.
Requirements
Core Program Requirements
Overview
The Art Practice major coursework includes six lower-level studio courses, six upper-level studio courses, and four art history/critical theory courses. Students explore different media and build an understanding of the scope of contemporary art practice in the lower-level courses, including the core studio Foundation series, ARTSTUDI 101 and ARTSTUDI 102. In addition to ARTSTUDI201 opens in a new tab - Art Practice Major Seminar and ARTSTUDI 249 - Art Practice Capstone, students focus their practice through upper-level electives in specific areas of interest; the courses are designed to deepen the students' knowledge of particular materials and techniques and stretch their understanding of conceptual issues.
Core Courses
Foundation and History
ARTSTUDI 101
Art Practice Foundation 2D
ARTSTUDI 102
Art Practice Foundation 3D/4D
ARTHIST 5
Art and Power
Art Practice Foundation courses, ARTSTUDI101 a opens in a new tabnd ARTSTUDI102 opens in a new tab, can be completed in any order.
Breadth in Discipline
Lower-Level Requirements
Lower-Level Electives
Any 100-level ARTSTUDI course may be applied toward the lower-level Art Practice elective requirement. Current course offerings can be found on Navigate Classes opens in a new tab.
Students must complete a total of 16 units of lower-level ARTSTUDI courses.
ARTSTUDI 111
Moving Image I
ARTSTUDI 114
Worldbuilding: Sound, Video, Space
ARTSTUDI 115
Holt Visiting Artist: Introduction Photography: Blue
ARTSTUDI 120
Intro to Relief Printmaking
ARTSTUDI 122
Decolonizing Archives: Video and AI
ARTSTUDI 126
History and Practice of Web-Based Media
ARTSTUDI 129
Augmented Reality: Placemaking and Storytelling
ARTSTUDI 130
Interactive Art: Making it with Arduino
ARTSTUDI 131
Sound Art I
ARTSTUDI 134
Fountains
ARTSTUDI 136A
Future Media, Media Archaeologies
ARTSTUDI 139
Portraiture and Facial Anatomy for Artists
ARTSTUDI 140
Drawing I
ARTSTUDI 144
Printmaking and Activism
ARTSTUDI 145
Painting I
ARTSTUDI 145A
Painting as Storytelling
ARTSTUDI 146M
Painting Off the Wall
ARTSTUDI 148
Monotype
ARTSTUDI 148A
Introduction to Lithography
ARTSTUDI 148B
Introduction to Printmaking
ARTSTUDI 148P
The Hybrid Print
ARTSTUDI 149C
Etching
ARTSTUDI 150N
Queer Sculpture
ARTSTUDI 151A
Sculpture I
ARTSTUDI 152A
Soft Sculpture I
ARTSTUDI 153
Ecology of Materials
ARTSTUDI 155
Social Sculpture
ARTSTUDI 160M
Performance Art
ARTSTUDI 161
Constructing Color
ARTSTUDI 162A
Introduction to 3D and Digital Animation
ARTSTUDI 163
Drawing with Code
ARTSTUDI 165A
Intro to Art & Technology
ARTSTUDI 167
Introduction to Animation
ARTSTUDI 168
Data as Material
ARTSTUDI 169
Virtual Reality: the possibility and peril of immersive artwork
ARTSTUDI 170
Light and Shadow
ARTSTUDI 171
Introduction to Photography
ARTSTUDI 173A
Introductory Photography: Blue
ARTSTUDI 173E
Cell Phone Photography
ARTSTUDI 175
Sound Installation
ARTSTUDI 177
Video Art
ARTSTUDI 180
Media Art in the Age of Surveillance
ARTSTUDI 182
Queered Tech and Speculative Design
ARTSTUDI 186
Black Experimental Narrative
ARTSTUDI 187
Animation, Memory, and the Self-Portrait
ARTSTUDI 192
AI Art, Performance, and Aesthetics
Two 2-unit MFA-taught ARTSTUDI courses may be combined to satisfy one lower-level Art Practice elective.
Completing a full year of ITALIC can count as 4 units towards either one lower 100-level Art Practice elective or one Art History elective.
Upper-Level Requirements
Upper-Level Electives
Any 200-level ARTSTUDI course may be applied toward the upper-level Art Practice elective requirement. Current course offerings can be found on Navigate Classes opens in a new tab.
Students must complete a total of 16 units of upper-level ARTSTUDI courses.
ARTSTUDI 209
Moving Image II
ARTSTUDI 231A
Interactive Art: Making it with Arduino
ARTSTUDI 236
Future Media, Media Archaeologies
ARTSTUDI 239
Intermedia Workshop
ARTSTUDI 240
Drawing II
ARTSTUDI 241
Expression in Brush and Ink
ARTSTUDI 245
Painting II
ARTSTUDI 247
Collage
ARTSTUDI 248P
The Hybrid Print
ARTSTUDI 251
Mold Making + Casting
ARTSTUDI 251A
Sculpture II
ARTSTUDI 252A
Soft Sculpture II
ARTSTUDI 256
Advanced Installation
ARTSTUDI 257
Advanced Sculpture Seminar
ARTSTUDI 258
Resisting Monuments at the End of the World
ARTSTUDI 260
Weaving and Printmaking: Tangling the Digital
ARTSTUDI 260M
Performance Art
ARTSTUDI 262A
Digital Fabrication
ARTSTUDI 265
Imagining Other Worlds: AI and Moving Image
ARTSTUDI 268
Advanced 3D Animation: Simulation and Avatarism
ARTSTUDI 270
Advanced Photography Seminar
ARTSTUDI 271A
Intermediate Photography: On Queerness
ARTSTUDI 271E
Light & Shadow III (4x5)
ARTSTUDI 271F
Intermediate Photography: DIY Publishing
ARTSTUDI 277
Intermediate Photography Seminar
ARTSTUDI 286A
Intermediate Photography: Portraiture I
ARTSTUDI 286B
Intermediate Photography: Portraiture II
ARTSTUDI 288
Intermediate Photography: Documentary
Up to 4 units of the honors coursework (ARTSTUDI 297 and ARTSTUDI 297S) may count towards one upper-level elective.
Independent study, which a faculty member supervises, is also available on a case-by-case basis as a component of a student’s 200-level coursework for the degree. For Independent Study to apply to the major, it must be taken for four units.
Art History Courses
Art History Electives
Majors must complete three additional art history/critical theory elective courses. Any ARTHIST course may be applied toward the Art History elective requirement. One Film & Media Studies (FILMEDIA) course may satisfy an art history/critical theory elective. Current course offerings can be found on Navigate Classes opens in a new tab.
ARTHIST 1A
What is Art: Introduction to Early Global Art and Architecture
ARTHIST 1B
How to Look at Art and Why: An Introduction to the History of Western Painting
ARTHIST 2
Asian Arts and Cultures
ARTHIST 2B
Introduction to Islamic Art
ARTHIST 11N
Roman Portraits and Persons
ARTHIST 20Q
War and Art
ARTHIST 100N
The Artist in Ancient Greek Society
ARTHIST 101
Introduction to Greek Art I: The Archaic Period
ARTHIST 102
Introduction to Greek Art II: From the Parthenon to Scopas
ARTHIST 105N
Designing How We Live: Why Architecture is More Than Just Building
ARTHIST 106
Byzantine Art and Architecture, 300-1453 C.E.
ARTHIST 111N
Art Worlds: Museum, Studio, Gallery, Archive
ARTHIST 115
The Italian Renaissance, or the Art of Success
ARTHIST 116
The American Civil War: A Ghost Story
ARTHIST 119
Love at First Sight: Visual Desire, Attraction, and the Pleasures of Art
ARTHIST 121N
Islam and Water
ARTHIST 123
The Global Mughal World
ARTHIST 128
Modern Africa: Art and Decolonization
ARTHIST 129
Fashion
ARTHIST 130N
The Age of Romanticism: Painting, Literature, Politics
ARTHIST 133
Introduction to Global Modern Art
ARTHIST 134
Introduction to Early Andean Visual Culture: Interspecies Value and More-than-Human Presence
ARTHIST 139
East Asian Buddhist Painting: Visions and Practices
ARTHIST 152
The American West
ARTHIST 157
Interdisciplinary Axes of Art
ARTHIST 160
Censorship in American Art
ARTHIST 163
Queer America: Art, Photography, and Politics
ARTHIST 165
Vincent van Gogh and His World
ARTHIST 182B
Cultures in Competition: Arts of Song-Era China, 960-1279 CE
ARTHIST 185
Arts of China in the Early Modern World, 1550-1800
ARTHIST 186B
Asian American Art
ARTHIST 188B
From Shanghai Modern to Global Contemporary: Frontiers of Modern Chinese Art
ARTHIST 191
African American Art
ARTHIST 201A
Soren Kierkegaard and the Visual Arts
ARTHIST 203
Artists, Athletes, Courtesans and Crooks
ARTHIST 204
Dialogues with the Dead
ARTHIST 208
Hagia Sophia
ARTHIST 208A
The Dome as an All-Seeing Eye: Theatre of Judgment in Byzantine Art
ARTHIST 208B
The Art of Medieval Spain: Muslims, Christians, Jews
ARTHIST 208D
Virginity and Power: The Mother of God and Visions of Empire
ARTHIST 209C
Medieval Image Theory
ARTHIST 211A
Andean Textile Logic: Weaving as Practice and Process in the Precontact Andes
ARTHIST 213A
From the Ruins: Art, Literature, and Thought ca. 1945 and Beyond
ARTHIST 214A
Love's Reach: A Visual and Poetic History
ARTHIST 215A
Visualizing Race in California: An Art History
ARTHIST 218
Fashion and Other Disasters
ARTHIST 226
Field Works: Contemporary Chinese Landscape Arts across Cultures
ARTHIST 227
African Art, Modernism, Cosmopolitanism
ARTHIST 228
Curating Contemporary Chinese Art
ARTHIST 233
Censorship in American Art
ARTHIST 240
Millennium Approaches: The Art of the 1990s
ARTHIST 242A
Art History in the First Person
ARTHIST 249
Latinx Art: Exhibition History and Theory
ARTHIST 250A
Printing Protest: The Artist as Social Critic
ARTHIST 251
Warhol's World
ARTHIST 253
Aesthetics and Phenomenology
ARTHIST 256A
Picturing Ecology: Flora and Fauna in East Asian Art
ARTHIST 258
Introduction to Middle Byzantine Music Notation: Transcribing and Singing Old Byzantine Chants
ARTHIST 258B
Introduction to Middle Byzantine Music Notation II
ARTHIST 266
Queer America: Art, Photography and Politics
ARTHIST 267
Intimacies as Method: Studying Black and Brown Relation
ARTHIST 273
Couture Culture
ARTHIST 275
The Russian and Soviet Avant-Garde
ARTHIST 285
American Photographs: A Magical History
ARTHIST 288
Putting It Together: The Art of Curating
ARTHIST 291
Riot: Visualizing Civil Unrest in the 20th and 21st Centuries
ARTHIST 293
Black and Brown: American Artists of Color
One of these electives may be fulfilled by a course offered by another department with advisor approval. Substitute courses should emphasize critical analysis and interpretation of art and/or film, engagement with primary and secondary sources, and the study of artistic movements, theory, or sociohistorical contexts.
Completing a full year of ITALIC can count as 4 units towards either one lower 100-level Art Practice elective or one Art History elective.
Writing in the Major (WIM)
Required Course
ARTSTUDI 201
Art Practice Major Seminar
ARTSTUDI 201 should be taken during junior year.
Capstone
Required Course
ARTSTUDI 249
Major Capstone
Students take the Major Capstone in the Spring Quarter of senior year. The course culminates in the Senior Art Exhibition.
Honors
OptionalHonors
Overview and Requirements
The Department of Art & Art History’s year-long Honors Program allows selected Art Practice majors to develop a self-initiated body of thesis artwork throughout their senior year in parallel with their regular work for the Art Practice major. The body of thesis artwork students propose and develop is expected to deepen and elaborate on work and themes they have begun to explore in previous courses or independent work. This thesis artwork is exhibited in an honors exhibition in the early Spring of the senior year. Students also produce a written thesis paper contextualizing and documenting this work.
The Honors Program is open to Art Practice majors in their senior year who are studying on campus for the entire year. Admission to the Honors Program is decided by the Art Practice faculty via a competitive application process in Spring of the junior year. Completion of the Honors Program is noted on the student’s diploma and transcript.
Participation in the Honors Program requires 10 units of honors-specific coursework dedicated to producing the thesis artwork, exhibition, and written thesis. Up to 4 units of this honors coursework may count towards one of the four upper-level elective courses required for the major. The Honors Program requires a minimum of 71 total credits, an additional 6 units beyond the 65-unit requirement for the Art Practice major.
While Art Practice honors students are expected to work independently to develop artwork for the thesis exhibition, they are supported via ongoing one-on-one tutorials with a faculty thesis mentor (which comprise 3 of the required 10 honors units) and via a year-long honors seminar with other honors students and the Director of the Honors Program (which comprise the remaining 7 required units). In the seminar, students engage with their honors cohort through critiques, visiting artists meetings, and other activities determined by the Honors Director.
During the Honors Program, to support honors students in producing their thesis work, students are typically given access to studio space in a shared honors studio, a materials stipend, and ongoing access to McMurtry Building area-specific studios (photography, sculpture, digital media, printmaking, painting) for which they have received training.
Admission to the Honors Program
To be eligible to apply for honors:
Students must be in residence on campus all of their senior year.
Students must have completed ARTSTUDI 101 - Foundations I, ARTSTUDI 102 - Foundations II, ARTHIST 5 - Art & Power, and at least five Art Practice classes by the end of junior year.
Four must be completed by the end of Winter Quarter junior year when the honors application is submitted.
Detailed instructions for applying to the Honors Program during the Spring Quarter of junior year are listed on the Department of Art & Art History’s website opens in a new tab.
Early in their junior year, students considering honors should contact Student Services to review the requirements and express interest in the program so that they will be notified of that year’s specific application deadlines and submission process.
The application includes a portfolio, project proposal, study plan, unofficial transcript, and signature of a full-time art practice faculty member who has advised the student on their honors application project proposal.
Students are selected for the Honors Program based on the strength of their application portfolio and project proposal. Students accepted into the Honors Program have illustrated their ability to work independently and rigorously on their artwork, participate productively in group critiques, and work respectfully in a shared studio space. The body of work students propose and develop for an honors exhibition is expected to deepen and elaborate on work and themes they have begun to explore in previous courses or independent work.
Honors Program Requirements
The Art Practice program requires students to develop a sustained studio practice across Fall and Winter Quarters in order to generate a body of thesis artwork approved by their Honors Faculty Mentor and the Honors Director. In the Spring Quarter, this body of thesis work must be successfully installed and exhibited in the thesis exhibition and documented and analyzed through the student’s written thesis document. Students must maintain an A- in all honors course components every quarter to achieve honors on the student’s transcript.
A minimum A- grade in both honors course components (ARTSTUDI 297, 297S) must be achieved each quarter to continue in honors each quarter.
Students must also pass a faculty review at the end of Fall Quarter with the Honors Director and their Faculty Mentor to continue in the Honors Program through Winter and Spring Quarters
Artwork presented at the review must represent significant progress towards the student’s proposed thesis artwork.
Students who do not pass this review will continue as regular Art Practice majors, but not as part of the Honors Program. In this case, credits obtained for the fall Honors Faculty Tutorial and Honors Seminar will count as regular elective credits towards the Art Practice major.
Continuing in honors past Winter Quarter is conditional upon the student’s body of thesis work being ready for the honors exhibition, as evaluated by the Honors Director, the student’s Faculty Mentor, and the Gallery Director.
During the Spring Quarter, students must successfully participate in the honors exhibition, with work approved by the Honors Director and their Faculty Mentor, and delivered and installed in a professional manner with the direction of the Gallery Director.
The written thesis, including multiple iterative drafts, must be successfully completed and submitted by the deadline set by the Honors Director in the Spring Quarter.
Tutorial Course
ARTSTUDI 297
AP Honors Tutorial
Students must complete 3 units of ARTSTUDI 297 – AP Honors Tutorial (1 each quarter of senior year)
Honors Seminar
ARTSTUDI 297S
AP Honors Seminar
Students must complete 7 units of ARTSTUDI 297S – AP Honors Seminar (3 in Fall, 2 in Winter, and 2 in Spring).

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